读后感是我们对书籍内容深入理解的重要方式和途径，大家都知道，写读后感可以帮助我们巩固所学知识，以下是叁五范文网小编精心为您推荐的英文读后感范文7篇，供大家参考。
英文读后感范文篇1
this is a story about a special and unreserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life. the story can be interpreted as a symbol of the independent spirit
it seems to me that many readers’ english reading experience starts with jane eyer. i am of no exception. as we refer to the movie “jane eyer”, it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.
jane eyer was a born resister, whose parents went off when she was very young, and her aunt，the only relative she had，treated her as badly as a ragtag. since jane’s education in lowwood orphanage began, she didn’t get what she had been expecting——simply being regarded as a common person, just the same as any other girl around. the suffers from being humiliated and devastated teach jane to be persevering and prize dignity over anything else.as a reward of revolting the ruthless oppression, jane got a chance to be a tutor in thornfield garden.
there she made the acquaintance of lovely adele and that garden’s owner, rochester, a man with warm heart despite a cold face outside. jane expected to change the life from then on, but fate had decided otherwise: after jane and rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact rochester had got a legal wife, who seemed to be the shadow following rochester and led to his moodiness all the time ----rochester was also a despairing person in need of salvation. jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was jane eyer. the film has finally got a symbolist end: jane inherited a large number of legacies and finally returned. after finding rochester’s misfortune brought by his original mad wife, jane chose to stay with him forever.
i don’t know what others feel, but frankly speaking, i would rather regard the section that jane began her teaching job in thornfield as the film’s end----especially when i heard jane’s words “never in my life have i been awaken so happily.” for one thing, this ideal and brand-new beginning of life was what jane had been imagining for long as a suffering person; for another, this should be what the audiences with my views hoped her to get. but the professional judgment of producing films reminded me to wait for a totally different result: there must be something wrong coming with the excellence----perhaps not only should another section be added to enrich the story, but also we may see from the next transition of jane’s life that “life is like a box of chocolates, you never know what you would get.” (by forrest gump’s mother, in the film “forrest gump”)
what’s more, this film didn’t end when jane left thornfield. for jane eyer herself, there should always be somewhere to realize her great ideal of being independent considering her fortitude, but for rochester, how he can get salvation? the film gives the answer tentatively: jane eventually got back to rochester. in fact, when jane met rochester for the first time, she scared his horse and made his heel strained, to a certain extent, which meant rochester would get retrieval because of jane. we can consider rochester’s experiences as that of religion meaning. the fire by his frantic wife was the punishment for the cynicism early in his life. after it, rochester got the mercy of the god and the love of the woman whom he loved. here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides. the value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.
life is ceaselessly changing, but our living principles remain. firmly persisting for the rights of being independent gives us enough confidence and courage, which is like the
beacon over the capriccioso sea of life. in the world of the film, we have found the stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
in this era of rapid social and technological change leading to increasing life complexity and psychological displacement, both physical and mental effects on us call for a balance. we are likely to find ourselves bogged down in the sargasso sea of information overload and living unconsciousness. it’s our spirit that makes the life meaningful.
heart is the engine of body, brain is the resource of thought, and great films are the mirrors of life. indubitably, “jane eyer” is one of them.
英文读后感范文篇2
last week, the american film institute released its list of the 100 best american films of all time. not surprisingly, gone with the wind placed in the top 10 (#4, in fact). however, although this epic romantic melodrama is undoubtedly one of the most popular and beloved motion pictures ever to grace the silver screen, it is also arguably the most overrated. gone with the wind is a very good movie, perhaps bordering on being great, but its subject matter and running time (which is easily 60 minutes too long) argue against its status as a masterpiece. as for its high placing on the afi#39;s list... it isn#39;t the only travesty on that roster, but it is one of the most obvious. gone with the wind is, simply put, a tale of two halves. the movie is divided by an intermission into a pair of roughly-equal segments. the first, which is brilliant and consistently captivating, covers the time period of the civil war, beginning shortly after the election of abraham lincoln, and ending during
sherman#39;s march through atlanta. the post-intermission half, which dishes out the suds, picks up at the end of the civil war and concludes about eight years later. this portion of gone with the wind, while still retaining a degree of appeal and narrative interest, spins its wheels frequently. nevertheless, viewing gone with the wind on television pales in comparison to seeing it projected on a motion picture screen. new line cinema has chosen to re-release the film (which is now in its sixth major revival) for its 59th anniversary. (why not wait a year for the 60th?) anyone who loves movies but has only seen this one on tv or video is heartily encouraged to visit the nearest participating venue. theatrically, gone with the wind is an entirely different experience from its small-screen counterpart; some of the second-half narrative tedium is effaced by the glorious visuals. with a restored three-strip technicolor print that preserves all of the original#39;s deep, vibrant colors and digitally-enhanced sound, this picture has never looked or sounded better. gone with the wind has one of the best-known storylines of any film, due in large part to the popularity of the source material, margaret mitchell#39;s best-selling 1936 book. it#39;s essentially a sumptuous soap opera set around civil war times in the deep south. the main character is scarlett o#39;hara (vivien leigh), the spoiled, manipulative daughter of an irish immigrant plantation owner (thomas mitchell, who would later play uncle billy in frank capra#39;s it#39;s a wonderful life). scarlett has two sisters, but she is by far the most spirited of the three o#39;hara girls, and her father, seeing her as his successor, teaches her lessons about the importance of the land. "it#39;s the only thing that lasts... the only thing worth fighting for," he comments in the face of war. scarlett is secretly in love with ashley wilkes (leslie howard), who is about to marry the gentle, demure melanie hamilton (olivia de havilland). when scarlett confesses her love to ashley, he admits his feelings for her, but notes that melanie will make a much better wife. immediately after this meeting, scarlett has her first encounter with the irrepressible rhett butler (clark gable), the cynical, smart hero who eventually falls in love with her. they are two headstrong likes who simultaneously repel and attract one another. when scarlett remarks, "you, sir, are no gentleman," rhett#39;s smiling, easy response is, "and you#39;re no lady." the bulk of the film follows a romantic quadrangle as it unfolds against the backdrop of war and reconstruction in and around atlanta and the o#39;hara plantation, tara. scarlett is in love with ashley, or thinks she is, but he won#39;t leave his wife. melanie loves both her husband and scarlett, who improbably becomes her best friend. rhett is smitten with scarlett, and she is clearly interested in him, but the real question is how long it will take for her to recognize the depth of her feelings. ultimately, when rhett has finally had enough, he walks out of her life after answering "frankly, my dear, i don#39;t give a damn" to her plaintive query about what she#39;s supposed to do without him. the pre-intermission portion of gone with the wind, which runs about 115 minutes, is glorious from both a visual and an emotional standpoint. it#39;s a grand tale of love and loss in the midst of this country#39;s most bitter war. most importantly, it shows scarlett#39;s development from a vain, spoiled brat into a hardened, determined young woman. her relationship with rhett is there, but kept carefully in the background. there is sadness, humor, and a number of breathtaking shots of scarlett silhouetted against a reddish sunset or the backdrop of atlanta in flames. the film#39;s most lingering image -- that of thousands of confederate wounded paving an atlanta street -- occurs during this part of the movie. the second half, with its repetitive concentration on scarlett#39;s back-and-forth, do-i-love-him-or-not relationship with rhett, is less successful. this stuff is real soap opera material, and, even as well- acted and well-presented as the narrative is, there#39;s no mistaking it for anything else. if it didn#39;t run on for so long, it would be a lot more bearable, but gone with the wind threatens to wear out its welcome long before the end title appears. the problem is that the bulk of the story is really told in the first half, so there#39;s a lot of filler in the post-intermission material. gone with the wind stands as a romantic monument to the old south -- an homage to an era and a lifestyle long gone. the opening title states: "there was a land of cavaliers and cotton fields called the old south. here in this pretty world, gallantry took its last bow. here was the last ever to be seen of knights and their ladies fair, of master and of slave. look for it only in books, for it is no more than a dream remembered, a civilization gone with the wind." this clearly illustrates where the film#39;s sympathies lies, and it isn#39;t with the often-grim plight of the slaves (in fact, slavery is largely treated as a neutral, or even benevolent, institution). one of the tests of the lasting impact of any film is determining whether it#39;s still effective decades after its initial release. gone with the wind looks so good that it is surprising to consider its actual age. it#39;s hard to believe that many of the people involved with this film have long since died. of course, period pieces should not be constrained by the era in which they#39;re made, only by the one in which they#39;re set. the storyline, while "progressive" and "modern" for the 1930s, is a little tame for the 1990s (hence the mpaa#39;s "g" rating), but, in its three-dimensional depiction of scarlett and rhett, it#39;s rarely naive. the dialogue is often brilliant, and some of the rhett/scarlett exchanges are particularly clever. gone with the wind avoids becoming hopelessly maudlin by peppering the lengthy storyline with a variety of lively and humorous sequences.
英文读后感范文篇3
有人说阅读是一次心理的恐惧经历，也许正因为此，我格外不喜欢看悲剧。从情节的角度来讲，《活着》就是一部彻头彻尾的悲剧。主人公福贵青年时嗜赌成性，终于输光家业，父亲因此活活气死，母亲则在穷困中患了重病。福贵为母前去求医，却在半途上被__抓了壮丁。两年后几经波折回到家的他，发现母亲早已离世，女儿凤霞也因病成了聋哑人。
此后，厄运的阴影一直笼罩着这个家庭。县长的老婆难产需要输血，结果儿子有庆被抽血过量而死，后来发现县长竟然是曾经的战友春生，春生在轰轰烈烈的__中遭受迫害，最终悬梁自尽;凤霞终于找到良人──二喜，可不久就死于产后大出血;有庆和凤霞走后，妻子家珍也撒手人寰;没过几年二喜因为一次建筑事故惨死，留下儿子苦根和福贵相依为命;然而几年后，苦根也因吃豆子撑死了，剩下孤苦伶仃的福贵买了一头待宰的老牛作伴……
整个阅读过程中，我一度对余华十分痛恨，也许作家都是冷血的，就像余华用他平实得近乎冷漠的笔调叙述着残酷一样，一次又一次将我对可能存在的美好幻想彻底打破。也许，正是要不断见证离别，见证死亡，见证各种苦难，才能看到生命的厚重和沉痛，才能体会平静背后的苍凉，才能思索活着的意义。
想一想，人的一生究竟要经历多少起伏，才能真正做到往事如烟，去留无意?究竟要看过多少离合，才能真正做到云淡风轻，波澜不惊?究竟要承受多少不幸，才能真正炼就一颗强大的心脏，在若干年后，上扬嘴角，将曾经的伤痛娓娓道来，说一声现世安好?
人生一梦，白云苍狗。为名?为利?为情?为义?命运对福贵也许特别眷恋，也许特别残酷，岁月带走了他身边一个又一个亲人，只有他活了下来。经历了那么多苦难，他学会了忍受，忍受生命赋予的责任，忍受现实给予的幸福和苦难、无聊和平庸。文章最后，福贵和老牛渐渐远去，福贵粗哑的令人感动的嗓音从远处传来，在空旷的傍晚像风一样飘扬。那一刻，看着他们的背影，我们一定无话可说，仿佛人生天地间，忽如远行客，一切都毫无意义。纵三千里河山，亦四十年蓬莱，曾经我们苦苦追求的忽然显得极其可笑。人就是为活着本身而活着，而不是为了活着之外的任何事物活着。我们曾如此渴望生命的波澜，到最后才发现，起起落落，浮浮沉沉，恩恩怨怨，终不过雁过无痕，水过无声。
英文读后感范文篇4
哈利·波特在上四年级的时候参加了一次三强争霸赛，不料中了食死徒的圈套走近了伏地魔的魔掌，伏地魔的随从，食死徒中的一员——小矮星彼得用哈利的血、自己的肉和伏地魔父亲的骨头帮助伏地魔找回了自己的肉身，这时候，哈利知道伏地魔东山再起了……伏地魔向哈利挑战，可哈利身边没有一个可以帮助自己的人，本以为自己会死在他们的手中，但预料之外的是，哈利与伏地魔的魔杖是同种材料制成的，它们不能互相攻击，哈利又一次死里逃生……
这没能让哈利安下心来，反而让他更着急了，那会有更多的人死在他手里了。回到霍格沃兹，他只和邓布利多说了这件事，邓布利多来不及和大家说出去，就已经到了暑假。“伏地魔东山再起”这件事被魔法部视为无稽之谈，纯属绯闻，哈利波特当时都被别人看作一个骗子，什么故事都可以编造骗子，没有人愿意相信它。哈利波特为此特别烦恼，但是坚定不移地相信伏地魔一定会来了。他在麻瓜的世界里饱受姨妈、姨父和表哥达利的折磨与凌虐，但为了能打探到一点点伏地魔的蛛丝马迹，他愿意在屋子的窗口下面听新闻，在垃圾桶里翻出旧报纸看。哈利·波特就是这样一个正义的男孩，尽管能相信他的人没有几个，他也愿意找出证据让人们相信，不愿意让黑魔法蒙蔽了人们的双眼。在预料之外，他被带回了魔法的世界，他看到了自己的朋友，曾经教过他的老师，还有他最亲爱的教父——小天狼星·布莱克在一个秘密的地方“凤凰社”策划反伏地魔的策略。哈利顿时欣喜万分……回到学校后，新的黑魔法防御教师是魔法部的，不让学生练习黑魔法防御术，哈利就和几个好朋友建立起“d·a”，每个星期由哈利来教一些黑魔法防御术，在可以用到得时候用。在学期末的时候，伏地魔果然用小天狼星作为诱饵把哈利以及哈利其他六人引到“神秘事物司”，“凤凰社”部分人员赶到，在那里，展开战斗。结果是，小天狼星被食死徒杀死了……邓布利多校长告诉他了一个天大的秘密。
读了此书，我的心情久久不能平静。我为这大难不死的男孩——哈利波特深感自豪。霍沃茨魔法学校是那么神奇，我希望我也是一名巫师，像哈利或哈利的朋友赫敏那样。但是，我不得不承认，这世界上没有魔法学校。然而，魔法就在我的心中。那些考上清华北大的孩子，能说是他们会魔法，是魔法帮助了他们？不，不是。而是他们心中怀揣着梦想，努力去实现。
英文读后感范文篇5
“pride and prejudice,” the feeling after reading
“pride and prejudice” is the famous british writer jane austen masterpiece, the works in daily life for material, the romantic and reality love story. works of vivid reflects the late eighteenth to well into the nineteenth century in the conservative and block state of the british town life and ways of the world. its social graffiti novel at that time if not only attracts the general reader, real to this day, still give the reader a unique art enjoyment. first of all, from story to see, elizabeth resourcefulness, have courage, these have vision, have very strong self-respect, and be good at thinking. just then a an unmarried ladies the lady of speaking, this is valuable. and also it is this quality, just make her in love have independent initiative，and led to her and happy family of darcy. in my opinion, elizabeth is worthy of praise. in the way of the pursuit of love, be sure to a firm belief, not for money, fame, wealth, or any other cause carelessly decided to, want to hold to find true love. if the other party to some of the defect is himself can't stand, but also what can't change it, you should give up the resolute choice; of course should also to cherish each other, not because of some of the others words, they change their decision, happiness to yourself to the business. this is the book want to communicate to the world is very precious words, is also to the heart of the pursuit of love chicken soup. reading this book, i be a lifetime earnings, enjoy the spiritual baptism.
英文读后感范文篇6
recently, i have reading the book "jane eyre". although i forgot some details in the book, jane gave me deeply impression, i admire her very much.
after that the teacher also told us to put the play in to a movie, and then we all can touch each hero's soul in the book. the play it mainly tell us how jane is growing up when suffering from great difficulties and painless. what's more, it is impressed me that she still love her master even if he is blind at last due to rescue his mad wife. and i like the classic lines what jane said to mr. rochester："do you think i can stay to become nothing to you?
do you think i am an automaton?--a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? do you think, because i am poor, obscure, plain, and little, i am soulless and heartless? you think wrong!--i have as much soul as you,--and full as much heart! and if god had gifted me with some beauty and much weh, i should have made it as hard for you to leave me, as it is now for me to leave you.
i am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;--it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at god's feet, equal,--as we are!" its so beautiful, jane is a girl who will never lose confidence in life and always sensible when handling with some motional problems.
jane was huge in my heart. she can control her life and fate. she knew how to continue her life and she got it!
maybe after what she told me i have known that what love is and how to love and to be loved! the book is a book worth of reading, so all in all let's enjoy it!
英文读后感范文篇7
活着，承载了多少意义、情感和力量呢?是进行时，是生命的持续状态，是灵魂的永恒追寻。
看完《活着》，想说说关于"活着"，这样广大却沉重的话题，似乎每一个语句都显得苍白，每一声叹息都显得无力;然而，活着，是进行时，是你我此刻正在经历的状态，无从逃避，直至那一天，你我在神的审判台前，而从那一天起，我们将活在永恒的国度里。而活着和永恒，有人只看到了一部分，于是没有永恒的方向，迷茫地活着。
当我们听着故事的叙述者——福贵将自己的经历娓娓道来，感觉着他活着的状态一点点变化：年少无知时，萎靡地活着，无视妻子的艰辛，无视父母的关切，无视现实的责任;风云突变后，挣扎地活着，战场上经历生存的残酷抗争，生活中面临活着的底线挑战，情感上体会为父为夫角色的重担;看尽生死后，麻木而乐观地活着，无牵无挂，无泪无述，也无欲无求。"少年去游荡，中年想掘藏，老年做和尚。"我们会默然发现，活着是一种状态，仅仅一个词，悲惨抑或苦难、凄凉、无奈，无法展现它的全貌，可是哪怕是其中一方面我们都无法深入触及。小说以时间为主线，讲述了福贵如何从游混于社会的阔少爷变成一无所有的佃农，如何从刚开始无所事事的"败家子"到最后持家生活的"顶梁柱"，如何从刚开始的淡漠亲情到后来饱尝白发人送黑发人的苦痛。
作为一个冷酷的作者，余华不动声色地让我们跟随他的冰冷笔调，目睹少爷福贵的荒诞、破产和艰难;继而又假惺惺地给我们一点点美好的希望，让有庆得到长跑第一名，让凤霞嫁了人怀了孩子，让某些时刻有了温情脉脉，有了简陋的欢乐。然而就在我们以为噩梦不再萦绕他们的时候，余华丝毫没有犹疑，他铁青着脸让自己的角色们迅速以各种方式死去，毫无征兆，近乎残忍，只留下我们错愕当场。
有庆是第一个突然死去的。"有庆不会在这条路上跑来了。"他的母亲说。大多数人应该在这个时候心痛不已。贫苦艰难的生活，福贵简单而粗暴的教育方式，都不曾让有庆对生活丧失希望。他热爱他的两只小羊，为了割草和上学每天来回奔命。所以当他在父亲眼前拿了长跑第一名的时候，我们都天真地以为悲剧该结束了，事情在慢慢好起来，于是有了一点淡淡的喜乐。
"我看着那条弯曲着通向城里的小路，听不到我儿子赤脚跑来的声音，月光照在路上，像是撒满了盐。"
一切就像一个巨大的诅咒。女儿，妻子，女婿，外孙，最后福贵只剩下自己。和一头也叫做福贵的老牛。
因为远离那些动荡的年月，因为并未真正有过艰难和困顿，这个故事让年青的我们不禁有些战栗。薄薄的十二万字，笼罩着"欲哭无泪的压抑"。只是阖上书本之时，内心似乎多了一些超越世俗欲望和纷争的平静。现实生活的无情与残忍，远比我们想象的要宽广;而活着，纵使要担当诸多难以承纳的苦痛，但是依然要坚忍，顽强。这应当便是生命的力量罢。
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★ 读后感范文7篇
